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She may
have had a wonderful figure, but Kate Jackson didn't show
off her body quite so much as her co-stars in Charlie's
Angels. That's because she played the more
straight-laced
one from the team - some might say the thinking man's
Angel of choice... Kate Jackson was the only qualified
actress of the trio and actually part of Charlie's
Angels was her idea.
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Angel: Sabrina Duncan
Kate
Jackson played Sabrina Duncan, the "smart one," the Angel who favored
sensible turtlenecks over bombshell bikinis. Naturally,
she was just as stunning as her fellow detectives - she
was just more comfortable wearing casual clothes and
working behind the scenes. While Angels like Jill Munroe
and Kelly Garrett just loved going undercover and
playing tricks on their targets, Sabrina was the one who
kept out of the way and oversaw things from a distance,
reporting regularly back to Charlie. The only Angel to
have been married, Sabrina's beauty and brains meant she
had been both a cheerleader and a brilliant student at
school, and she joined Charlie's agency after a stint as
a cop. She eventually left the Angels behind to marry
for a second time.
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Alabama
Girl
Kate
Jackson was born on October 29, 1948 in Birmingham,
Alabama, the daughter of Hogan and Ruth Jackson and
sister of Jenny Jackson. Her father was a wholesaler of
building material and her mother a housewife. Ever since
she was a little girl, Kate Jackson wanted to be an
actress – going so far as to practice signing autographs
to her friends on the playground. Every chance she got,
she appeared in school productions and put on skits with
her sister at the Brookhill School for Girls. While
attending the University of Mississippi, Jackson left
halfway through her sophomore year, to enroll at
Southern College where she took her first theatre class.
After a summer apprenticeship at the Stowe Playhouse in
Stowe, VT, she moved to New York in 1968 and enrolled in
the prestigious American Academy of Dramatic Arts. She
worked hard, appearing in such productions as “Night
Must Fall,” “Royal Gambit,” “The Constant Wife” and
“Little Moon of Alban.”
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From a
Ghost to an Angel
Having
established a stage reputation, Kate got her big
break thanks to the wildly popular daytime
horror soap “Dark Shadows” (ABC, 1966-1971) one
of the most unusual TV shows of the 70s.
Kate played a ghost and for a long time had nothing to
do but stand around and look pretty. This suited her
just fine, though. As she later said, "I didn't have a
line for the first two months, which was OK because I
was too scared to open my mouth." “Dark
Shadows” creator Dan Curtis was so impressed
with Jackson, he chose her to star in the
feature film “Night of Dark Shadows” (1971).
After that brief bit of good fortune, Jackson
decided to make the leap to Hollywood.
Within months of arriving, she was recurring on “The
Jimmy Stewart Show” (NBC, 1971-72); made a series of
guest appearances on such shows as “Bonanza” (NBC,
1959-73); appeared in TV movies like “Movin’ On” (1972)
with David Soul (pre-“Starsky & Hutch” fame), and
starred in Mark Robson’s feature film “Limbo” (1972). |
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Liking
her classic, dark beauty, producers Aaron
Spelling – who had a famous eye for
stars-in-the-making – and Leonard Goldberg hired
Jackson for their new police drama series “The
Rookies” (ABC, 1972-76). As Nurse Jill Danko,
she starred in the show for four years, and
during that time, was bombarded with more fan
mail than the rest of the cast. When the show
was cancelled, Spelling would not soon forget
the girl with “stardust in her eyes.” At
the same time, during the show's four-season run,
Jackson also became a TV “scream queen” of sorts, paying
her dues in such horror flicks as “Satan’s School for
Girls” (1973), “Killer Bees” (1974), “Death Cruise”
(1974) and “Death at Love House” (1976). Aaron Spelling had taken such a liking to Kate
by this time that Charlie's Angels was actually created
with her in mind.
In
1976, the big bang occurred when Spelling cast
Jackson as Sabrina “Bri” Duncan in his new
all-female detective show, “Charlie’s Angels." Industry heads and critics
scoffed at the very idea of beautiful women
running around, strapped with guns, solving
crimes – all under the watchful eye of an
unseen, but always heard, male benefactor. No
matter. The night the show premiered to
stratospheric ratings that bicentennial year,
three stars were instantly born, with Jackson
and her co-Angels, Farrah Fawcett-Majors and
Jaclyn Smith, huddling close so as to weather
the hysteria, which culminated with the Angels
gracing the cover of Time magazine.
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Farrah
Fawcett – easily the most popular and
profiled of the three Angels that first year –
was the first to exit stage right. Farrah-mania
was so intense, what with the feathered bangs
and nippled poster, that the actress and her
actor husband, Lee (“Bionic Man”) Majors, felt
she would do better on her own. After only one
season and at the peak of her fame, she unwisely
left the show. Thankfully, “starmaker” Spelling
still had an eye for talent, hiring another
blonde beauty, Cheryl Ladd, to fill the void
left by Fawcett-Majors.
The show continued on,
even gaining in the ratings with the new
line-up. During Jackson’s first year as Sabrina,
she received the first of two Emmy nominations
for Best Actress in a Dramatic Series and was
also nominated as Best Supporting Actress for
the NBC series pilot “James at 15” (1977). |
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For
three years she was Charlie’s smartest Angel,
but she began to feel the constriction of her
one-note character. To Jackson’s credit, she
refused to prance around in bikinis and further
solidify the show as “jiggle TV.” Sabrina Duncan
was most often the first to solve the crime and
to do it wearing a nice polyester pantsuit,
while Ladd’s Kris Munroe and Smith’s Kelly
Garrett donned the skimpy clothing and usually
ended up the damsels-in-distress by episode’s
end.
The
Price of Publicity
While her co-stars Farrah Fawcett and Jaclyn
Smith took their sudden fame in their stride,
Kate found it more difficult to deal with the
constant press attention – and all the tabloid
speculation that comes if you happen to be a
beautiful TV star. She herself
admitted that she was a bit short and impatient with the
press, which gave her a reputation among journalists as
the "difficult Angel". She was also bemused by how the
tabloids would often invent stories about the supposedly
intense and bitchy rivalry between the three Angels
behind the scenes. As Kate said, they only ever competed
over the doughnuts served up in between takes.
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While Charlie's Angels made Kate a star, she eventually
realized it was time to move on with her career. The
trigger for this was the fact that her busy Angels
schedule meant she had to turn down the lead role in the
blockbusting 1979 film Kramer vs. Kramer (Meryl Streep
took it instead, and bagged an Oscar).
Jackson vowed never to lose
an important role because of her light-weight TV
commitment. She had also just married actor Andrew
Stevens and had grown tired of the constant interest in
her off-screen romantic life. After the finale of season
three in the spring of 1979, Jackson took off her halo
permanently – leaving “Charlie’s Angels” with no
apparent leader. The break-up was quite acrimonious
amongst the powers-that-be and the cast, but Jackson was
determined to get out from under the weight of being one
of “Charlie’s Angels.”
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Perfume model Shelley Hack,
who had little-to-no acting experience, stepped in as a
brainy replacement for Bri – but Jackson was a hard
component to replace. The show teetered on for another
two seasons, before being cancelled in 1981. After leaving the show,
Jackson concentrated on a quiet family life and creating
a production company with her husband Andrew Stevens. They produced and
starred in the TV remake of the classic Cary Grant film
“Topper” (1979). There was a pilot for another series,
but it never came to be. Sadly, Jackson’s plans came too
late to save her marriage. After the couple divorced in
1980, she focused on her acting career again, starring
in various TV films – “Thin Ice” (1981) and “Listen To
Your Heart” (1983) – as well as two big screen films,
the poorly reviewed “Dirty Tricks” (1981) and the
controversial but ahead-of-its-time “Making Love” (1982)
co-starring Harry Hamlin and Michael Ontkean, a film
that received excellent reviews, but was a hard sell
with its homosexual content.
Amanda King
In 1983, she returned to TV
with the CBS spy-comedy series “Scarecrow and Mrs. King”
(1983-1987), with her new production company,
Shoot The Moon (with new husband David
Greenwald), producing the show. She fell in love with the character
of Mrs. King (a mother of two boys who worked as
a Secret Agent).
Scarecrow became a huge hit - she earned a
Golden Globe nomination for her role opposite
Bruce Boxleitner. She
divorced David Greenwald in 1984.
Unfortunately, that same year she was
diagnosed with breast cancer, and again in 1989 – news
that brought TV’s original Angels, Smith and Fawcett,
back together again in support of their sick friend.
After
a partial mastectomy and radiation, Jackson won
her fight with the deadly disease and shared her
experience with the public in order to highlight
the importance of yearly mammograms. She even
appeared on the cover of People magazine to
detail her struggle. Inside, she recounted the
life-changing experience: “I had to decide
whether I wanted to live or to die. Once you
choose life, as I did, it’s never the same.”
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After that scare, Jackson reprised Diane Keaton’s role
in the NBC show “Baby Boom” (1988), based upon the hit
feature film, but the show
did not have the same pull as the film and
lasted only a few months.
Jackson’s impressive assertiveness landed her a role in
the big screen comedy “Loverboy” (1989), playing Patrick
Dempsey’s mother.
In 1994, after a few more TV films,
she had open-heart surgery after she discovered she was
born with an ASD – Atrial Spetal Defect or a “hole in
her heart.” She made a complete recovery, but was
inspired to inform women of the stunning statistics –
that one out of every two women die of heart disease. |
A Prolific
Life
In 1995, with the help of friend Rosie O’Donnell, she
adopted a son, Charles Taylor – just two hours after his
birth. She continued her prolific acting career as well
as her philanthropic work as well. In 1999, the Israel
Cancer Research Fund’s annual “Women of Action” luncheon
honored Jackson for her work on behalf of preventing
breast cancer and was recognized with the research
fund’s Humanitarian Award. She also received recognition
on behalf of her work with children and animals. In
recent years, she became the spokesperson for the
American Heart Association’s Power of Love fundraising
campaign.
Back on both
screens, she made guest appearances on “Ally McBeal”
(Fox, 1997-2002); starred in the remake of “Satan’s
School for Girls” (2000), a film she had originally
starred in; gave a powerful performance in the
independent film “A Mother’s Testimony” (2001); did a
guest voice in the animated show “The Family Guy" and
appeared in the romance film No Regrets (2004) and on
Larry King (2005). Her last film is the Lifetime TV
drama "A Daughter's Conviction" where she co-stars with
Brooke Nevin and she also made a guest appearance in the
CBS action series "Criminal Minds."
For a woman never comfortable in a miniskirt or low-cut
blouse, Jackson ranked at a surprisingly high #18 on FHM
magazine’s “100 Sexiest Women of All Time” list. A
further surprise, considering her long-standing disdain
for the show that made her a pop cultural icon, Jackson
reunited on stage with her fellow “Angels,” Fawcett and
Smith, in tribute to Aaron Spelling, the man who made
them all stars, during the 2006 Emmy Awards telecast.
The potentially jaded crowd were wildly enthusiastic to
see the original “Charlie’s Angels” together, with
Jackson, true to form, declaring to cheers, “We’re
taking the brand back!” – a not-so-subtle slam on the
later film versions, starring Drew Barrymore, Cameron
Diaz and Lucy Liu.
Currently Jackson lives in Los Angeles with her adopted
son Charles, who also happens to be the godchild of
longtime friend and Charlie's Angels costar Jaclyn
Smith. | |
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