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Of all the
Charlie's Angels, the character of Tiffany Welles was
probably the most unique and controversial. Playing the
role proved quite a challenge for Shelley Hack, but how
did she get the part in the first place? And why was she
known as a "Charlie girl" even before she was picked to
star in the series...?
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Angel: Tiffany Welles
It's fitting
that Tiffany Welles was brought in to fill the vacancy
left by the departure of the feisty Sabrina Duncan (Kate Jackson).
Sabrina had always been a classy, restrained personality
compared to the more "girly" and bubbly Angels, and
Tiffany was definitely a woman after Sabrina's heart.
Indeed, Tiffany was even more refined than her
predecessor, carrying herself elegantly and with
aristocratic sophistication at all times.
After all,
Tiffany came from a very well-to-do family - her mother
was a Latin teacher and her father a police chief who
was an old friend of Charlie's. And, while she jumped at
the chance when Charlie offered her a place in his team,
she eventually felt the pull of her native East Coast,
and returned to the glamorous world she was brought up
in.
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Shelley
Hack Profile
Shelley Hack was born July 6, 1952 in White Plains, New
York but grew up in affluent Greenwich, Connecticut. Her
father was a Wall Street financial analyst while her
mother was a former model and flight stewardess. She’s
the eldest of 6 children. Her stunning beauty was apparent
almost from the outset. She started modeling before she
was out of her teens, but she was also a bright young
thing who was careful not to neglect her studies.
She
graduated from Greenwich Academy and went on to Smith
College. In her junior year, she went to the University
of Sydney in Australia to study archeology (to fulfill
part of her college curriculum). She then returned to
Smith graduating with a degree in history.
However, despite her academic interests, Shelley knew
that acting was what she really wanted to do.
Shelley was a part-time teen model (while a student) in
the 60’s and rose to top model in the 70’s when she
decided to model full-time. She did magazine covers,
magazine editorials, product advertisements, catalog
work, brochure covers, everything. Her face was
everywhere. She was one of the most successful girls at
Ford Models Inc., the agency that represented her. Her
look was distinct because she didn’t project overt
sexiness but rather a clean, fresh, smart and open aura
– all-American wholesome-ness. She reached supermodel
status after she began endorsing Revlon Charlie perfume
in 1976. (She was one of the first models to sign an
exclusive and lucrative cosmetics contract with a giant
cosmetics company --- the others are Lauren Hutton,
Karen Graham, Cheryl Tiegs, Christina Ferrare, Margaux
Hemingway & Iman).
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She became known as the Charlie Girl and it was
during her tenure that Revlon Charlie became the
#1 scent in the world. Revlon sales figures
passed the $1billion mark in 1977. By 1981, she
was considered a million dollar face, a
supermodel in the industry.
Her
success in modeling led her into acting.
Shelley studied
acting at the Herbert Berghof Studios under Jack Wolzer
in New York. And in the mid-seventies she made her debut
in Woody Allen's Oscar-winning comedy "Annie Hall" in
which she had just one line (Allen asks her how she
manages to hold down a happy relationship, and she
responds "I'm very shallow and empty and I have no ideas
and nothing interesting to say"). She also appeared in
"If Ever I See You Again." This exposure helped to get
her the lead in the television film, "Death Car on the
Freeway". |
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The
Brief Reign of Tiffany Welles
It wasn't acting that actually brought Shelley Hack to
the attention of the Charlie's Angels producers. In
fact, in a rather fitting turn of events, she was
noticed thanks to her stint as the face of the
Charlie perfume, By the late seventies, Shelley was
identified as the new Charlie girl while
promoting Revlon's No. 1 Charlie cologne in
print ads. The "Charlie girl" was selected by Aaron Spelling and
Leonard Goldberg – the co-creators of the series – when
they were faced with replacing the "smart" Angel Sabrina
Duncan (played by Kate Jackson). They wanted to cast
someone similarly subtle and refined, and Shelley's
classical beauty was just the ticket. Her arrival on
Charlie's Angels was a bit of a watershed moment,
marking a unique period in the history of the show.
The addition of Shelley to Charlie's Angels was a bit of
a gamble for the producers. Not because of any lack of
talent on her part but because her
character Tiffany Welles was so different to the other
Angels. Tiffany was unashamedly aloof and proud – the polar
opposite of cheery, giggly, "approachable" Angels like
Jill Munroe. Critics welcomed this change of tone, and
the way it made the dynamics of the show more
interesting, but audiences didn't know what to make of
this posh princess who had joined the team. After a
year, the producers decided it was time to replace her
with a new Angel, and Tiffany was no more. Still,
Tiffany's standing among fans has grown over the years,
and she's now regarded as one of the most interesting
Angels of the lot.
In March
1980 Hack told People about getting fired: "A business
decision was made. Change the time slot or bring in some
publicity. How to get publicity? A new Angel hunt. Who
is the obvious person to replace? I am - the new kid on
the block."
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From
an Angel to Media Guru
The end of her tenure on Charlie's Angels certainly
didn't harm Shelley's acting career.
She
survived on screen a
lot longer than many people would have predicted
back in 1980. Shelley moved to two other
dissimilar series, "Cutter to Houston"
(1983) with Alec Baldwin and the very underrated "Jack & Mike" (1986-87). Neither
series lasted a full season, but both did give
Shelley the means to keep her acting alive and
develop her craft. Since Charlie's Angels,
Shelley has done a lot of acting on stage, in
theatrical films and on television appearances
and she also delivered an excellent performance
in Martin Scorcese's
controversial theatrical film "King of Comedy"
(1982).
In March of 1996 Shelley's movie Frequent Flyer
(ABC) won its time slot and beat out the 1996
People Choice Awards. Shelley also had a
cameo role in the 1996 movie House Arrest.
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She also made appearances in TV shows like "SeaQuest",
"LA Law" and "Diagnosis Murder". In a rather abrupt shift, Shelley gave up acting in 1997
to become a producer and all-round media guru.
In the 90’s, she
also began to take an active role in politics
and political fund raising. She ran for a county
committee seat in Los Angeles but lost. She
became active in the National Women's Political
Caucus and was part of The Westside Women’s
Health Center Advisory Council. Shelley Hack
also became a registration and polling station
supervisor in the 1997 elections in
Bosnia-Herzegovina and produced the first-ever
televised presidential debates in
Bosnia-Herzegovina. She also produced the
debates in Sarajevo, Mostar and the two in Banja
Luka. She worked to “restructure the media
sector in Bosnia”.
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In 2000, Shelley become
founder and president of Shelley Hack Media Consultancy
(SHMC), a company which internationally specializes in
projects that focus on the intersection between media
and the development of civil society.
Shelley had worked
extensively in the Balkans and Western Asia. SHMC had
embarked on various projects including: the transition
of the Bosnian State television to a public broadcaster,
the development of ethnic balance within the Bosnian
television sector, the production of television debates
and public presentation training for politicians, and
the Turkish-Armenian reconciliation through print and
television. In 2006, the company became involved in
strategic planning for the tender of a Balkan bank with
a wide ranging portfolio of assets. |
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Shelley Hack also
became a member of the Pacific Council on
International Policy (the mission of PCIP is to
give a more effective voice to West Coast
perspectives on critical global policy issues).
Shelley Hack has been linked to photographer
Steen Svensson, author-director Nicholas Meyer
and Academy Award winner Al Pacino, but she
married director Harry Winer. They have one
daughter, Devon Rose Winer, born November 19,
1990.
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